Ursula Le Guin on fantasy
‘For all our delight in the entrancing flicker of electronics, we also long for the unalterable. We cherish the old stories for their changelessness...People turn to the realms of fantasy for stability, ancient truths, immutable simplicities.
And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry.
Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action to violence, their actors to dolls, and their truth-telling to sentimental platitudes. Heroes brandish their swords, lasers, wands as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitised, made cute, made safe. The passionately concieved ideas of the great storytellers are copied, stereotyped, reduced to toys moulded in bright-coloured plastic, advertised, sold, broken, junked, replaceable, interchangeable’.
( from the Foreword, Tales From Earthsea)
Spot on, I reckon. Even the seductively beautiful, magical 3D of world of Avatar, when I examined it afterwards seemed hollow, despite it’s seemingly ‘green’ /pro-environment/ anti-capitalist politics etc. And of course it’s still the white American Male hero who saves the day, gets the girl etc
I also wonder if the pumped-up, served-up ‘perfection’ of computer-generated fantasy worlds doesn’t makes the less glossy but far more profound beauty of Real Nature harder to see.
I have moaned and wailed many times about the lack of good children’s films. Though there are usually at least a few really good adults movies every year.
So it’s been a mostly futile quest to find anything I’ve wanted my child to see. There seem to be hardly any kids’ movies with real substance, originality, or anything to nourish the spirit. Like a satisfying story, for example.
I often feel like I must be an old killjoy. Everyone else has seemed perfectly happy with Finding Nemo and Harry Potter and Ice Age etc. And it’s 'only entertainment', they say. And so dazzlingly clever technically. But what a shame the content is so banal, so cliched, so empty. Like junk food pumped with msg.
And then there is the awful Disney-fication of delightful old English classics like Winnie The Pooh etc. Should be a law against it.
Visiting Disneyland last year with my son was, I have to admit, lots of fun. But the ‘appropriation’ thing really struck me. They’d grabbed everything from Alice In Wonderland, to Mark Twain, to Jules Verne, to Robinson Crusoe, and turned it all into some tacky ride or experience, leaving nothing to the imagination. Some of them - like the ‘20,000 Leagues Under The Sea submarine were done with incredible attention to detail. Others - like Alice In Wonderland, just felt like a heap of plastic crap... but I’d better stop. I’m in rant-mode.
Please don’t tell me Lewis Carroll’s caterpillar looked like this plastic toy |
Onboard the MarkTwain Paddle Steamer |
1 comment:
Rant-mood? It suits you :-) But you are so right. Avatar is more of the same. Disneyworld - we will probably end there this year, around Christmas - I'm right now trying to develop alternative plans for Florida to attract children votes, or at least reduce our stay in Orlando to a minimum. I have already convinced Juan, my eldest 10 years old, with Cape Canaveral!
Oh, about children movies I have always had a weakness for Pinocchio and his donkey ears. I try now and then to make my boys to watch it, again. Nicolas, 8, properly bribed, still concedes to sit by me, and watch a bit.
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